Republic of Korea, 대한민국
- CURRENT JOB/POSITION
2007 Kanazawa college of Art, Crafts, Master
2014 Korea and Japan Ceramic Art Exchange Exhibition, 21st Century Museum of Contemporary Art, Kanazawa., Kanazawa, Japan
2013 Solo Exhibition, Monotohito Gallery, Kanazawa, Japan
2013 Kutaniyaki Female Ceramic Artist Exhibition, KAGAban-bunkamura, Kaga, Japan
2013 「Future Tradition WAO」, Capsule Studio, Musee des arts decoratifs Paris, NewYork, Paris, America,France
2012 COOK IT RAW Creative Vessel Exhibition, Ishikawa Prefectural Museum of Traditional Arts and Crafts, Kanazawa, Japan
2012 ART COASTER 2012, Kanazawa Citizen`s Art Center, Kanazawa, Japan
2010 TOKYO INTERNATIONAL Gift Show, Tokyo Big Sight, Tokyo, Japan
2010 Ishikawa Design Center Selection, Ishikawa Design Center, Kanazawa, Japan
2010 Intenatinal Ceramic Art Exchange Exhibition, Yoshino Art&Craft Village, Hakusan, Japan
2008 Chunichi Art Exhibition, 21st Century Museum of Contemporary Art, Kanazawa., Kanazawa, Japan
2017 Grand Prize, Art&Craft in obosuke‘17 intenatinal Competition, Yoshino Art&Craft Village, Hakusan, Japan
2014 2nd Prize, JUNMAISHU YAMASHIRO UTSUWA COMPETITION, Yamashiro Spa, Kaga, Japan
2013 Selected, JAPAN CRAFTS EXHIBITION, JCDA, Tokyo, Japan
2013 orable Mention Award, SNOW DESIGN COMPETITION, Museum of Snow and Ice, Kaga, Japan
2011 Selected, World Ceramic Biennale International Competition(07,09,11), Korea Ceramic Foundation, Icheon, Korea
2010 2nd prize, Art&Craft in obosuke‘10 intenatinal Competition, Yoshino Art&Craft Village, Hakusan, Japan
2007 Selected, Choza Award Tokoname Ceramic Exhibition Biennale, Tokoname City, Tokoname, Japan
2005 Grand Prize, Kirin Art Competition, Kirin Beer, Matto, Japan
2005 Encouragement Prize, Asahi Ceramic Art Exhibition, Asahi Newspapper, Nagoya, Japan
2005 Chairman Award, Ishikawa Contemporary art Competition, Kanazawa City, Kanazawa, Japan
2006 KIRIN Beer, matto, japan
나는 흙과 철망을 결합시킨 제작방법으로 표현하고 있다.
나의 표현은 유기적인 흙이 무기적인 철망을 통과하는 순간에 생기는 흙의 표정을 살린 것이다. 철망의 형태를 통해 나온 흙의 표정은 생명체의 이미지를 가지고 있다.
내가 표현하고 싶은 생명체의 이미지는 시각적인 것뿐만 아니라 촉감적인 면도 포함되어 보다 다양한 해석이 가능하다. 작품을 통해 관람자가 "생명"의 대한 소중함을 다시한번 생각해 보는 계기가 되었으면 한다.
I have portrayed a technique of infusing clay and wire netting. When inorganic clay passes through the organic form of wire netting, it creates an expression to clay immediately. The expression that is portrayed of the clay through the structure of wire netting has a lively image to it. The lively image I want to portray is not limited to the eye, as it can be interpreted in many ways if the texture is included. Through this piece, my wish is for the audience to realize the preciousness of "life" one more time.